Tag: Louis Armstrong

JR Valrey’s interview confirms no humdrumming happening here as badass TBA band lights it up in the Bay!

“Boom bop sha bam sha-diddle-lee bop!” “This music came down biblically!” said legendary pianist Earl “Fatha” Hines about jazz music. “It was a natural evolution of Black culture,” said all time great trumpet player Dizzy Gillespie, about Bebop.

From May through August, three floors of black and white jazz photographs are on display at the African American Art & Culture Complex. They depict Harlem of the West, the San Francisco Fillmore jazz era that was bustling from the 1930s through the 1950s. Jazz was “king” and the Fillmore music scene was alive and flowing from end to end in the African American community.

“Dr. Mutulu Is Welcome Here” is the title of the campaign and the program Malcolm X Grassroots Movement hosted Easter Sunday, Resurrection Day, in Oakland. As we walked into Sole Space, a venue that also sells shoes and art and is a part of the corner building that houses Oakstop, we were invited to pose with a photo of Dr. Shakur. Mama Ayanna, seated at the door, welcomes and greets comrades and friends of friends as other members of MXGM host the program.

The evening of Friday, Feb. 20, honored to be the keynote speaker at the San Francisco African American Historical and Cultural Society’s Black History Exhibit Opening and Reception. 2015 celebrates the Society’s 60th anniversary, that embraced the theme, “A Century of Black Life, History and Culture: 1915-2015.” BILL HOSKINS, Executive Director and Curator, AL WILLIAMS, President and Chair, Black History Committee.

Leola King brought memorable class and dignity to every business she operated during a 50-year career in San Francisco. Most of the Black people here now know nothing positive of what it was like to walk and live amongst the greatness we had created there on Fillmore Street. Redevelopment viciously undermined and ripped Mrs. King’s fortune away. Her funeral is Friday, Feb. 13, 11 a.m., at Third Baptist Church, 1399 McAllister, the repast 4-7 p.m. at West Bay Conference Center, 1290 Fillmore St., San Francisco.

Jazz was the opposite of everything Harry Anslinger, the first commissioner of the Federal Bureau of Narcotics, believed in. It is improvised, and relaxed, and free-form. It follows its own rhythm. Anslinger looked out over a scene filled with men like Charlie Parker, Louis Armstrong and Thelonious Monk, and he longed to see them all behind bars. In the end he scaled down his focus until it settled like a laser on a single target – Billie Holiday.

On Sunday, Feb. 1, 1-3 p.m., to kick off Black History Month, she will be giving a lecture called “Racism and All That Jazz” on African American classical music, aka Jazz, in the Koret Auditorium at the San Francisco Main Library, 100 Larkin St. “I’m honored to have the fabulous Yemanya Napue, percussionists Val Serrant and Sosu Ayansolo and visual artist Duane Deterville collaborate with me on this presentation,” she says.

“Vigilante on the Loose” is based on a true story about a community plagued with past injustice. This time they chose to stand their ground. Filmed on location in Miami, Florida, the film was produced by Vision Entertainment Group and directed by Timothy Hodges. The once thriving Black section of Miami known as Overtown is virtually destroyed after so-called urban renewal.

The day is Buy Black Wednesday. I am setting foot in the Pan Afrikan Market Place called Little Nubia, modeled after Harlem in its “hey day,” old Timbuktu and Black Wall Street. So there are over 600 Black businesses in a 10-square-block area. Red, black and green is everywhere. Flags from every Afrikan nation flutter in the summer breeze.