Tags Taraji P. Henson
Tag: Taraji P. Henson
The coronavirus pandemic and quarantine has created a massive mental health challenge to an already terribly inadequate mental health system that has been teetering on collapse in the Black community since mental health became a science in this country.
Since quarantine has been going on, many of us have been surfing through streaming services trying to find interesting shows and movies. During this time I saw a title that caught my eye: “All Day and a Night.” A young man who ends up getting life in prison reflects on his decisions that got him there. On top of that, it’s a Netflix original that’s based in Oakland, California.
Scientists Katherine Johnson, Dorothy Vaughan and Mary Jackson, profiled in “Hidden Figures” (2016), exemplify what writer Margot Lee Shetterly calls “everyday courage,” a kind of imaginative power that filled these women – Black women, white women, invisible women – with a sense of pride and purpose even when deserved recognition went unstated. Director Theodore Melfi’s film is all the buzz.
The SF Black Film Festival is one of the film festivals that I most look forward to in the Bay Area every year. This year it is from June 12-15 at various theaters in San Francisco. It was founded by the late Ave’ Montague, and now it’s under the direction of her son, Kali O’Ray. Every year I’ve seen great films that don’t have the promotional budgets to reach a wider audience without the help of a festival like SFBFF.
There are two film festivals in the Bay Area that are famous for presenting excellent work by Black filmmakers: the Oakland International Film Festival and the San Francisco Black Film Festival. In a few weeks, thousands of people will be trailing into theaters all over San Francisco to check out what the SF Black Film Fest has deemed some of the best Black indie films of the year.
In a Hollywood Reporter article, Spike Lee is quoted: “In 1989, ‘Do the Right Thing’ was not even nominated [for best picture],” said Lee, with some mock outrage. “What film won best picture in 1989? ‘Driving Miss Mother F-ing Daisy!’ That’s why [Oscars] don’t matter,” said Lee. “Because 20 years later, who’s watching ‘Driving Miss Daisy?’”