Tags Ayodele Nzinga
Tag: Ayodele Nzinga
It’s all about the ancestors, believe it or not. The invisible realm controls the outer. Those who believe in magic are in touch with reality – a truth, the initiated, those beings open to a creation story they participate in. Life is a collection of unedited stories; the end of a chapter does not mean the end of the book. With that said, the MAAFA Commemoration is upon us once again, celebrating its 23rd anniversary.
Congrats to new San Francisco Mayor London Breed! Congrats to TheatreFirst for “Participants,” the kind of collaborative theatre project which should be the norm, not the exception. Make sure you check out the finale for the TF 2017-18 season: “Between Us” and “Just One Day” beginning Feb. 18. Listen to two engaging conversations with playwrights and actors about “Participants”: Dezi Soléy and Cheri L. Miller, Skyler Cooper, Nick Nanna Mwaluko, Carl Lumbly.
Happy Black History Month. Knowledge is power, something Black people from Frederick Douglass to Sojourner Truth, Rosa Parks to Kamala Harris have never taken for granted. If white people would kill a Black person for teaching someone to read, not to mention knowing how to read – enough said! The Association for the Study of African American Life and History (ASALH), Dr. Carter G. Woodson’s organization, has chosen the theme: “Crisis in Education” for 2017.
2017 marks the centennial of the nation’s bloodiest race riot in the 20th century in East St. Louis, Illinois. Migrant Black people were hired to work as miners to replace striking white workers at the Aluminum Ore Co. The white workers stormed City Hall demanding redress from the mayor. Shortly thereafter, news of an attempted robbery of a white man by an armed Black man set off the reign of terror in downtown East St. Louis in which unarmed Black men, women and children were pulled from trollies and street cars and beaten and shot down in the street.
“Mama at Twilight: Death by Love” is a love story that offers a frank examination of family life in the inner-city as it intersects mass incarceration, poor access to health care, religious taboos and struggles under the burden of imposed tropes of man and womanhood. The Lower Bottom Playaz traditionally offer works that interrogate the experience of being human through the lens of the North American African experience. “Mama at Twilight: Death by Love” follows this tradition.
The Lower Bottom Playaz, Oakland’s premiere North American African theater company, under the direction of Ayodele Nzinga, in collaboration with OYNX, will present staged readings of “Zara’s Faith,” a play by physician-activist Marc Sapir, on June 6 and 7. “Zara’s Faith,” set in a city that could be Oakland or any inner city in America, unfolds around the police shooting of two unarmed brothers on their way to meet friends.
August Wilson’s largest message is to remember. He insists we remember our song, that we do our duty to life by remembering we were born free with dignity and everything. He is a Sankofa playwright capable of making the past come to life in the present. His methodology a metaphor for remembering you must look back to move forward successfully; if you drop the ball, you’ve got to go back to get it to be successful in the end zone.
Congratulations to Gerald Lenoir for carrying the torch and blazing the way for so many social justice issues from HIV/AIDS awareness in the Black community to his recent work in just migration for Pan Africans. Much success on your new work! Farewell to Alona Clifton and much success in Atlanta. Congratulations also to Almaz Negash, founder and director of African Diaspora Network in Silicon Valley for her national recognition and award at the Continental African Leaders Summit in Washington, D.C.
“The Black Arts Movement and Its Influences” conference will be going down with a host of legendary Black artists who have contributed to the liberation of our minds over the last 50 years. People like Askia Toure, Umar Bin Hasan of the Last Poets, Emory Douglas, the Minister of Culture of the Black Panther Party, Avotcja, Ayodele Nzinga, Ras Baraka and Ishmael Reed, to name a few, will be participating.
Ayodele “Wordslanger” Nzinga is a major thespian and theatrical force in the Bay Area hailing from the Lower Bottoms of West Oakland. She is now involved in producing the works of the great August Wilson and is currently producing “Seven Guitars,” which will run the last weekend in June and the first two weekends in July. Tune in as Ayo gives us some game on our history.
Judith Jamison looked regal on stage with Farai Chideya last month in The Forum Conversations at Yerba Buena Center for the Arts. Her message seemed to be one of preparedness and presence – being, as our sister Ayana Vanzant says, in spirit. Muslims call this the sirata-l-mustaqim or the path of the rightly guided.
August Wilson is one of the most if not the most important playwright of the 20th century. His “Pittsburgh Cycle” pens the 20th century North American African experience through gentrification and trauma of the recurrent loss of geographical space.
Set on the banks of the Mississippi during the Civil War, "…and Jesus Moonwalks the Mississippi" is a poetic journey of forgiveness and redemption inspired by the myth of Demeter and Persephone. This thought-provoking play combines traditional storytelling, gospel music and a wicked sense of humor to create a rich, imaginative world that allows trees to preach, rivers to waltz and Jesus to moonwalk. The run has been extended through April 25.
The Maafa Ritual begins before dawn on Sunday, Oct. 11, about 5:30-6 a.m., at Ocean Beach on the Great Highway at Fulton Street in San Francisco. Invited are Black people interested in honoring our ancestors who perished in the European Slave Trade and its aftermath via colonialism and other forms of genocide like incarceration, terrible occurrences or reoccurring disasters felt today. Maafa Awareness Month was founded and has been organized by Bay View Arts Editor Wanda Sabir for 11 years.
Wearing colorful beads and red and blue tunics, the Friends of Sironka Maasai Dance Troupe recently performed to celebrate and honor President Obama at his inauguration. Their performances include pulsating chanting, singing and traditional dance.
Theme for the week: "Martin King to Barack Obama, from ‘I Have a Dream' to ‘Yes, We Can.'"