Tags Count Basie
Tag: Count Basie
“Boom bop sha bam sha-diddle-lee bop!” “This music came down biblically!” said legendary pianist Earl “Fatha” Hines about jazz music. “It was a natural evolution of Black culture,” said all time great trumpet player Dizzy Gillespie, about Bebop.
One of author Dr. Gerald Horne’s latest volumes is “Paul Robeson: The Artist as Revolutionary.” I recently walked into the Parkdale Library in Toronto and saw a huge poster celebrating the great Robeson. Robeson, actor, athlete, political activist and one of the greatest singers of all time, would have been 120 years old today, April 9. Thousands of words have been written about Robeson’s interpretation of Jerome Kern’s song, “Old Man River,” but little has been mentioned about his participation in a unique musical collaboration.
As a founding member of the Black Panther Party at the age of 28, Howard swiftly became the party’s minister of information, editing the group’s official newspaper, traveling to Japan as a spokesman and initiating a free medical clinic for sickle-cell anemia and a work-study program for parolees at Merritt College. Now, at age 78, Elbert "Big Man" Howard hosts Jazz Connections, a biweekly jazz show on KRCB-FM in Rohnert Park, and Jazz Styles, a monthly show on KOWS-FM in Sebastopol – playing the same music that he and his comrades relaxed and shared ideas to 50 years ago.
Leola King brought memorable class and dignity to every business she operated during a 50-year career in San Francisco. Most of the Black people here now know nothing positive of what it was like to walk and live amongst the greatness we had created there on Fillmore Street. Redevelopment viciously undermined and ripped Mrs. King’s fortune away. Her funeral is Friday, Feb. 13, 11 a.m., at Third Baptist Church, 1399 McAllister, the repast 4-7 p.m. at West Bay Conference Center, 1290 Fillmore St., San Francisco.
On Sunday, Feb. 1, 1-3 p.m., to kick off Black History Month, she will be giving a lecture called “Racism and All That Jazz” on African American classical music, aka Jazz, in the Koret Auditorium at the San Francisco Main Library, 100 Larkin St. “I’m honored to have the fabulous Yemanya Napue, percussionists Val Serrant and Sosu Ayansolo and visual artist Duane Deterville collaborate with me on this presentation,” she says.
“Vigilante on the Loose” is based on a true story about a community plagued with past injustice. This time they chose to stand their ground. Filmed on location in Miami, Florida, the film was produced by Vision Entertainment Group and directed by Timothy Hodges. The once thriving Black section of Miami known as Overtown is virtually destroyed after so-called urban renewal.
The Hampton House Motel in Miami’s predominantly Black Brownsville section was one of the places where famous Black recording artists stayed during segregation after performing for all-white audiences on the beach. The performers were not allowed to stay in predominantly white hotels. Miami-Dade County is restoring and renovating Hampton House after it fell into disrepair over the years. But ironically, the construction work on the Black historic site does not include any Black contractors, subcontractors or laborers.