In this year 2021 the ghosts of the “Old South” reside undeniably at Angola’s plantation of yesteryear, the plantation modernized to the efficient capabilities of control and brutality for the 20th century in the attempt at keeping slavery and capitalism alive and well-oiled.
First and foremost, we must stay on message. And what is that message? We are uniting to End Mass Incarceration and Prison Slavery. In doing so, we have to keep at the forefront of our heart, mind and spirit that slavery – which predominates over mass incarceration – is an economic enterprise system that is mathematically put together and thus capable of being scientifically taken apart.
The Oakland International Film Festival is an opportunity for Oakland to shine – its artists the polish and vehicle. From its inception 15 years ago, when the City of Oakland was one of the only cities in the nation with a film office, sadly eliminated an administration ago, this festival has maintained its focus – on Oakland and its diversity of talent: directors, writers, actors, technicians – famous and up and coming. The festival is on April 4-8. To learn more and get tickets, visit http://www.oiff.org and https://oaklandroots40th.info/.
Robert “Fleetwood” Bowden’s “Da Cotton Pickas” is a must see documentary about how slavery did not stop with the Emancipation Proclamation. In fact, some people who were sharecropping slaves are still alive today, like Bishop Henry Williams, the subject of this monumental documentary. He worked for over 18 years and was never paid for picking cotton. Fleetwood tells a story of a historical reality with this documentary that most have never heard.
The inclusion of Assata Shakur on the FBI’s 10 Most Wanted Terrorists list last month – marking 29 years since her liberation from a New Jersey maximum security prison in 1979 by members of the Black Liberation Army – while aimed at Cuba’s leadership should also be interpreted as a shot across the bow of any internal revolutionary movement or revolutionary activists in the United States.
On July 3, 2011, at 9:45 p.m., a 45-year-old scruffy looking man of European descent — only identified eight days later through his driver’s license picture as Charles Blair Hill, described ad nauseam by the corporate press as a “wobbly drunk” and a “crazy hippy” — met a violent fate on a San Francisco Civic Center BART platform at the hands of two BART thugs in blue, one white and one Asian.