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The new “Black Woman Is God” exhibit, curated by Karen Seneferu and Melorra Green, features the work of over 50 Black women artists in a variety of genres: film, mixed media installation, sculpture, paintings, photography – in a range of sizes covering entire walls to intimate corners. We travel below ground into spaces where lives are born and secret formulas are calculated … brews stirred.
When I first heard the statement that “The Black Woman Is God,” it wasn’t new or spooky to me, because I grew up in a family with over a hundred members and everyone knew that my grandmother’s say was the final one. She was the family’s guide or god. I talked with “The Black Woman Is God” exhibit’s cofounder Karen Seneferu about this year’s show and the concepts and history behind this very important annual art show in the Bay.
“My dream was to develop a new color that no one had ever seen in life. It hasn’t come true yet, but that was a dream of mine when I was a little girl,” says Bay Area muralist Edyth Boone in the documentary about her life, called “A New Color: The Art of Being Edythe Boone.” It screens on April 6, 5:15 p.m. at Holy Names University, 3500 Mountain Blvd., Oakland, as a part of the Oakland International Film Festival.
Dia de los Muertos is a cultural celebration that had no significance for me until this year. I don’t knowingly want what I create or do to capitalize on a lost human life. But one thing that struck me was that in the last photo taken of Sandra Bland, she was wearing the color orange. The garment was an orange jumpsuit; her last representation was one of “criminality.”
Given the trajectory of 2014 regarding Black lives, perhaps February would be a great time to reflect on what bell hooks calls “the love ethic,” a principle Dr. King embodied and preached. Langston Hughes would have been 116 on Feb. 1 (his mother, Carrie Langston, was born Jan. 22, 1873). Albert Woodfox will be 68 on Feb. 19. Hopefully he will be eating cake under some sunny sky, a freed man by then.
Black Mobilization Organization Education Richmond (BMOER) is a Black organization founded in 2007 by Jovanka Beckles to fill the void she saw in Richmond, California, of organized progressive social activism in the Black community. Like most other Black organizations in Richmond, we want more jobs, a better economy and improved health for our community members.
The 18th Annual Maafa Commemoration Ritual is Sunday, Oct. 13, 2013, predawn. We meet at Ocean Beach, Fulton at the Great Highway. The ritual is for people of African Descent (Black people from throughout the globe). There are so many great events this month, but not enough space to list them all.
Afrikan history is world history. World history is human history. And the Black Woman Is God. “The Black Woman Is God” exhibit is a continuation of great Afrikan thought, not solely an outstanding new work of collective and individual art. The closing reception is Thursday, May 30, 6 p.m., in the Sargent Johnson Gallery, African-American Arts and Culture Complex, 762 Fulton St., San Francisco
“The Black Woman Is God” exhibit examines and questions the idea of seeing the Black woman as a God figure. Artists use materials, forms and iconography that challenge the belief that the image of God is white and male. The exhibit can be seen at the African American Art and Culture Complex at 762 Fulton St. in San Francisco until May 30, Tuesdays through Saturdays from noon to 5 p.m.
Wanda’s reviews for April include: the Harriet Tubman Underground Railroad National Monument, the “Transformative Visions” exhibition at Studio One, Spirit Silence Retreat, “The Dream Never Dies,” “The Resurrection of SHE,” “Journey of the Shadow,” the 9th Annual CubaCaribe Festival of Dance Music, “The Whipping Man,” “Mental” and many more …
The award winning play, “The Mountaintop,” looks at the everyday divinity of ordinary folks and places Martin King right there with them. His greatness is not a greatness which is inaccessible or isolated. In the Lorraine Motel that night, King listens and even agrees at some point with the young maid, Camae, a Malcolm X radical in an apron.
Early on in life, Karen Seneferu was fed Black revolutionary politics and art by the Black Panther Party at their free breakfast program. Now she is feeding the community revolutionary art that examines our condition and where we need to go. Karen Seneferu is definitely a name to look out for in the future. Check her out in her own words.
From the powerful voice of Mumia Abu-Jamal opening the event to jazz rapper Do D.A.T.'s video-illuminated revelations on life in the hood, from beloved journalist Kevin Weston's story of his escape from death's door to renowned filmmaker Kevin Epps' telling about his first job delivering the Bay View, Black Media Appreciation Night at Yoshi's Nov. 26 saw stars like Panthers Big Man and Emory Douglas, Phavia Kujichagulia, Walter Turner, Donald Lacy, Wanda Sabir, Greg Bridges, JR Valrey and Dr. Willie Ratcliff place Black media on the front lines of the struggle for justice.
Judith Jamison looked regal on stage with Farai Chideya last month in The Forum Conversations at Yerba Buena Center for the Arts. Her message seemed to be one of preparedness and presence – being, as our sister Ayana Vanzant says, in spirit. Muslims call this the sirata-l-mustaqim or the path of the rightly guided.
The resurrection of an artist such as Fela Anikulapo Kuti, whose art and legacy define the words “larger than life,” is a pretty lofty goal for an art show. When it came time to show and prove, though, the opening of “Zombie: The Resurrection of Fela Kuti” on Oct. 7 at the African American Art and Culture Complex (AAACC) went far beyond expectations.