Tags Black Power
Tag: Black Power
Black NBA players are just beginning to understand the power of the attention and admiration they command, which is morphing into bringing their “messages” to the courts on their sleeves, chests and feet, along with other actions in solidarity with public demands from the streets.
Since I became “woke” about the true level of racism and injustice in this country, it has become easier to recognize the proverbial “house negro.” One of them recently commented to another prisoner, “He thinks he’s Black,” referring to my constant defense of Black people and anti-racist views and loud comments about that racist pig in the White House. Of course, he didn’t say this to my face.
Fifty years ago, students at San Francisco State embarked on a campus strike that lasted five months – the longest student strike in U.S. history. Led by the Black Student Union and Third World Liberation Front, the strike was a high point of student struggle in the revolutionary year of 1968. It was met by ferocious repression, but the strikers persevered and won the first College of Ethnic Studies in the U.S. As part of Socialist Worker’s series on the history of 1968, current San Francisco State University Professor Jason Ferreira – the chair of the Race and Resistance Studies department in the College of Ethnic Studies and author of a forthcoming book on the student strike and the movements that produced it – talked to Julien Ball and Melanie West about the story of the struggle and the importance of its legacy for today.
Bayview Hunters Point is the soul of San Francisco. It’s changing but its history and heroes can’t be erased and must be celebrated. They are the foundation and inspiration for the thriving community we will rebuild. In “Picture Bayview Hunters Point,” a labor of love, says director Joanna Haigood, Zaccho Dance Theatre, a BVHP-based cultural treasure, performs that history and presents those heroes unforgettably. Bring everyone, especially the children and young people, to this lavish but free performance – inside and outside the Opera House.
Having been incarcerated since 1973, original Black Panther activist Robert Seth Hayes, 69, was released on parole last Tuesday. He joins a short list of revolutionaries from the 1960s and 1970s who are now hitting New York’s streets as elderly men after spending decades in the belly of the beast, simply for fighting for their freedom. Hayes denied participating in the June 1973 Bronx shooting death of New York Transit cop Sidney Thompson, but he was arrested, convicted and sentenced to 25 years to life nonetheless.
As the snowbirds arrived in Florida along with the mild January breezes, a small uprising of laborers who work under lock and key stopped production and made demands. This coordinated struggle was carried out by members of one of the most violently exploited groups in America: incarcerated workers. Inmates at 17 Florida prisons launched the labor strike, calling themselves “Operation PUSH,” to demand higher wages and the reintroduction of parole incentives for specific groups of inmates.
Dr. King’s assassination was the key marker in the transition of a great era of social change, from one where “inclusion” in the broader capitalist system was the general thrust to one where the general focus of the Black fight for equality became a broadly defined “self-determination,” rooted in a recognition of the entrenched nature of racism, not simply as a function of attitudes, but as a method of social control.
Why do Black folks catch more hell in San Francisco than just about anywhere else? Why has a larger portion of the Black population been pushed out of San Francisco than any U.S. city? We detect the reason is Black Power, which used to be wielded skillfully by community leaders back in the day. With London Breed, a Black woman born and raised in the projects – someone who understands us as we understand her – leading the mayor’s race, this election is our opportunity to rebuild our Black Power by making up our minds to VOTE 100%!
Slavery has indeed marked this nation. Its soot leaves a residue the best detergent cannot wipe away or wash out. Truth – bitter, the missing ingredient is hard to swallow, let alone see – yet this is what The National Memorial for Peace and Justice and by extension The Legacy Museum: From Slavery to Mass Incarceration demands we face. It is not in your head or imagination that these atrocities to other people reside.
One of author Dr. Gerald Horne’s latest volumes is “Paul Robeson: The Artist as Revolutionary.” I recently walked into the Parkdale Library in Toronto and saw a huge poster celebrating the great Robeson. Robeson, actor, athlete, political activist and one of the greatest singers of all time, would have been 120 years old today, April 9. Thousands of words have been written about Robeson’s interpretation of Jerome Kern’s song, “Old Man River,” but little has been mentioned about his participation in a unique musical collaboration.
Black Panther in a nouveaux peacock chair making deals with the CIA! I am like hold up?! Are you out of your mind? This must be a slapstick thrown in to distract and confuse the audience who do not know their history and who probably believe it’s OK to share secrets with the U.S. government. Like Okoyo, the CIA is all about meddling in international affairs that threaten white supremacy and its economic and military dominance. Wakanda has a seat in the U.N. Council.
There are many facts about King’s life that are not widely known to today’s African youth. One example is that he visited Africa before Malcolm X and Elijah Muhammad. Kwame Nkrumah invited King to Ghana’s independence celebration on March 6, 1957. Malcolm X’s first visited Egypt in 1959. King was light years ahead of his contemporaries on the South African question. It must be understood that the masses of Africans in the Western Hemisphere re-embraced pan-Africanism in the 1970s.
I would like to propose it is time to organize a new international campaign to persuade the U.N. International Jurists to initiate a formal investigation. This investigation would be based on discovering U.S. human rights violations as they pertain to our long-held political prisoners. I am proposing this campaign be organized under the slogan of “In the Spirit of Nelson Mandela,” as it is believed this slogan will resonate with progressives around the world. It will inspire them in international solidarity to join our efforts to persuade the U.N. International Jurists to initiate this call for a needed investigation.
My life began in the Jim Crow South, in Houston, Texas. I remember the segregated world I was born into … the separate water fountains, the back of the bus, the going around to the back door of Mr. Fontnoe’s grocery store to buy milk for my mother and grandmother. I recall the segregated section of the movie theaters – and the long, seemingly endless net partitioning the giant sandy beaches, separating the “Colored” folks from the “Whites.” Can you imagine that it once was a reality, a segregated beach!
I am at Lighthouse Mosque for El Hajjah Dhameera Ahmad’s Janazah or prayer service Wednesday afternoon, July 26. I will miss her. Dameera Ahmad (née Carlotta Basseau Simon) was a huge presence in a world that is shrinking. I am happy our paths were one at some point and shared many subsequent intersections. Her burial was on Oya’s day – Oya, guardian of the cemetery, spirit of the winds or transformation and change.
In the spirit of the MOVE conference held May 5-7 in Philadelphia to educate the public about the MOVE organization, I will like to expound on the U.S. government sanctioned attacks on MOVE within the larger context of the FBI’s campaign of harassment, murder, frame-ups and imprisonment of Black revolutionaries during the radical ‘60s and ‘70s, and even today, in an effort to thwart the realization and actualization of Black unity, Black power and Black liberation.
“Cream” is a political and socially conscious short that is set in Oakland in 1968, at the time of the assassination of Dr. Martin Luther King. The film deals with identity, self-respect and knowledge of self in a Black family setting. Check out filmmaker Alexandra Lebona as she talks about her film, “Cream,” which has been selected to screen at the San Francisco Black Film Festival.
“Race is the Rubicon we have never crossed in this country.” That’s David Billings’ thesis in his provocative new historical memoir, “Deep Denial: The Persistence of White Supremacy in the United States History and Life.” It documents the 400-year racialization of the United States and how people of European descent came to be called “White.” Billings tells us why, despite the Civil Rights Movement and an African-American president, we remain, in his words, “a nation hard-wired by race.”
I ain’t gonna front – I shed tears when Trump and his minions were elected. The impending doom that is a Trump presidency is the result of a white America unable to swallow the conspicuousness of Black perfection, and a corollary of white rage. Black people have been shot, burned and lynched, but we did not die. Our hearts and minds have been subject to unspeakable trauma, and still we got back up. Persistence and lightenin’ spits from our fingers and truth is our ammunition. This is all too much for white America. Our perfection is our savior and it should not be feared.
It is a hobby that began almost 50 years ago. Now, decades later, Albert Feldstein has the desire to preserve this history and share his button collection with others in a purposeful manner, the result being a new and unique poster entitled, “A Black History of America in 110 Buttons: The Events, The Issues, The Organizations, The People.” The goal of Feldstein’s poster is to recall the historic people and events which characterize African-American history. For some, it will rekindle memories – while for younger generations it will provide an impetus for research and a greater appreciation of past struggles.