Since its inception in 1969, the Saint John Coltrane African Orthodox Church (SJCAOC) has been dedicated to the spiritual artistry of its namesake, the great American jazz musician and composer, whose instrument was the saxophone.
“Jazz,” adapted by Nambi E. Kelley from Toni Morrison’s novel, is a tragic composition. Performed across a series of lyrically connected (woven) tapestries: colors, sounds, fractured memories … missing people, guns (bullets) falling tears, treetops, wild woods, sharecropped promises, fire terror, unclaimed bodies … too many bodies to count … love.
After gracing the planet for 76 years, Aretha Franklin joined the ancestors Thursday, Aug. 16, 2018. President Obama: “Aretha helped define the American experience. In her voice, we could feel our history, all of it and in every shade – our power and our pain, our darkness and our light, our quest for redemption and our hard-won respect. May the Queen of Soul rest in eternal peace.”
On the 50th anniversary of Dr. King’s assassination, Wednesday, April 4, we need to stop and reflect on the many landmark movements which began 50 years ago … like hip-hop. For the Oakland Museum of California to showcase this culture in an exhibit entitled “RESPECT: Hip Hop Style and Wisdom” now through August 2018 is to elevate this conversation and its creators to a level unprecedented.
From May through August, three floors of black and white jazz photographs are on display at the African American Art & Culture Complex. They depict Harlem of the West, the San Francisco Fillmore jazz era that was bustling from the 1930s through the 1950s. Jazz was “king” and the Fillmore music scene was alive and flowing from end to end in the African American community.
RYSE debuts its third annual production at El Cerrito High School Performing Arts Theater on May 6 and 7. “Richmond Renaissance” is an original play written and performed by Richmond youth. Set in AnnaBelle’s, a Black-owned juke joint in 1940s North Richmond, Richmond Renaissance counters the often negative Richmond narrative of poverty and violence by highlighting the community’s wealthy cultural past as an epicenter for blues, jazz and zydeco.
Block Report Radio interviews legendary Cuban poet Nancy Marejon about Black culture in Cuba after the revolution. She talks about Cubanismo and African pride, she talks about contemporary Cuban painters, musicians of the past, Jazz, and more. If you would like to hear more from the Block Report, you could tune in regularly to BlockReportRadio.com.
Do Black lives matter? I challenge everybody on planet earth to retrace their roots; you will find that the more you go back, the more you get Black! Because Mama Af Ra Ka gave birth to humanity. And Africa is the only continent rooted in the earth, that doesn’t float and oscillate. Afrika is the breadbasket of the world. Free Afreeka, for humanity’s sake! Black lives gave birth to civilization, science, mathematics, music, art, poetry and medicine.
Hypnotic Brass Ensemble is one of the most riveting and exciting instrument-playing musical formations specializing in Jazz wit’ a splash of Hip Hop. I talked with trumpet player Gabriel “Huda” Hubert about touring extensively overseas, one of his brothers quitting the band, growing up in a polygamous household, the legalization of marijuana, their upcoming new album, “The Bad Boys of Jazz,” and more.
Dr. Frances Cress Welsing (“Isis Papers”) made her transition Jan. 2, 2016. She was 80. The psychiatrist who challenged white supremacists on what she called “The Cress Theory of Color Confrontation and Racism (White Supremacy)” to look at their own melanin deficiency for what it is, “envy,” stirred and continues to stir the waters. She always stated theoretically that “Black lives matter,” way before the #blm movement.
One of the most interesting musical formations of an African aesthetic that I have come across has to be the Black Spirituals. Influenced by Punk, Free Jazz, Reggae and other genres, this improvisation-based group is receiving top billin’ at the upcoming Matatu Festival of Stories this week. On Wednesday, Sept. 23, they’ll perform at the Starline Social Club in the historic spot at 645 Grand Ave., Oakland.
KCSM’s own Greg Bridges is one of the legendary Black broadcasters of the Bay, with the most radio-made voice you have ever heard. His knowledge of Jazz, rolodex of contacts, unique interview style and James Earl Jones-like presence on the mic has made him the premiere Jazz disc jockey in the region. His show has been recently picked up to become syndicated nationally. Check him out in this exclusive Q&A.
I introduce this manifesto to all New Afrikans (i.e. Blacks) and any human beings who are SERIOUS about changing the inhumane living conditions that we see the people being subjected to in oppressed, impoverished communities throughout Amerika. It is crucial that we assess our conditions based on what is in our power to do, opposed to what someone can do for us.
The most exciting literary event every year for Black people on the West Coast is the Leimert Park Book Fair, held this year on Saturday, Aug. 1. It brings out a lot of community members, community heroes and sheroes, as well as Hollywood celebrities to share in the festivities. Check out the founder of the Leimert Park Book Fair and author Cynthia Exum as she tells us about this year’s Leimert Park Book Fair.
Jazz was the opposite of everything Harry Anslinger, the first commissioner of the Federal Bureau of Narcotics, believed in. It is improvised, and relaxed, and free-form. It follows its own rhythm. Anslinger looked out over a scene filled with men like Charlie Parker, Louis Armstrong and Thelonious Monk, and he longed to see them all behind bars. In the end he scaled down his focus until it settled like a laser on a single target – Billie Holiday.
On Sunday, Feb. 1, 1-3 p.m., to kick off Black History Month, she will be giving a lecture called “Racism and All That Jazz” on African American classical music, aka Jazz, in the Koret Auditorium at the San Francisco Main Library, 100 Larkin St. “I’m honored to have the fabulous Yemanya Napue, percussionists Val Serrant and Sosu Ayansolo and visual artist Duane Deterville collaborate with me on this presentation,” she says.
Congratulations to William Rhodes on a successful trip to South Africa, where he took a quilt created by his students at Dr. Charles Drew Elementary School in San Francisco to honor the legacy of an international hero, President Nelson Mandela, and returned with art panels from workshops conducted with youth in various townships and regions from Cape Town to Johannesburg.
This is a story about music, radio and the connection to the human spirit. The date is Jan. 10, 1992, and Troy Williams and his cellmate at Pelican Bay Prison are using wire to make an antenna for a radio. Williams was looking for something on the radio he was familiar with, but as usual he was greeted by a flurry of country music. This particular night however, Williams and his cellmate were fortunate.
KPOO Radio is the first station on the dial to play local Hip Hop. DJ X-1 is one of the godfathers of the Bay Area Hip Hop radio movement, and he is famous for breaking local Hip Hop artists like JT the Bigga Figga and, within recent years, Beeda Weeda and J. Stalin. Although he is still on terrestrial radio, he has now turned his attention to owning audio real estate on the internet with his newest creation, Turnd Up Radio.
The story of Souls of Mischief and their crew Hieroglyphics is the story of how Oakland became respected for its lyricism in a genre that was dominated by East Coast wordsmiths. It is a story told by Shomari Smith in his new documentary, “’Til Infinity,” which is about the 20th anniversary of the Souls of Mischief classic album. “’Til Infinity” will be premiering at the Oakland International Film Fest on April 6 at 9 p.m. at the Black Rep Theatre.
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