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It is clear now that the 45th president of the United States is knowingly or unwittingly a tool of the Russian government. But for many years before the dumpster fire in the White House came into office, the Kremlin has been wielding a secret weapon against the “land of the free.” This weapon is “secret” not because it is hidden, but because a large segment of the American public refuses to acknowledge its existence.
October 2018 marked the 50th anniversary of the historic and remarkable organizing initiative to boycott the 1968 Olympics in Mexico City. Dr. Harry Edwards led the boycott efforts, as well as the creation of the Olympic Project for Human Rights, in which he involved countless Black activists from throughout the country, including H. Rap Brown. On Oct. 21, 2018, I was fortunate to interview Dr. Edwards about his 1968 organizing efforts and his affiliation with H. Rap Brown (now Jamil Al-Amin) who also played a leading and inspirational role in this historic 1968 event.
On July 22 this year, nearly two years after Trump’s election and the rise of “The Resistance,” I tuned in to KPFA-Berkeley’s Sunday Show and heard host Philip Maldari speaking to The Nation’s national affairs correspondent John Nichols. Philip Maldari: John, just last Monday we had this fabulous press conference in Helsinki, Finland, where these two heads of state [Trump and Putin] had a chance to speak to the world. Do you want to decode what happened there? John Nichols: Do I want to what? PM: Decode – explain.
Journalist and poet Frank Marshall Davis is an important voice who channeled his social convictions through the power of the pen, and proved to be an unsung hero in the struggle for human rights. "Frank Marshall Davis established his reputation as a socially minded poet employing free-verse forms.” His work has been recognized by the National Poetry Foundation, stating on their website: “Davis concerned himself with portraying Black life, protesting racial inequalities, and promoting Black pride.”
“The responsibility of being the first in history to charge the government of the United States of America with the crime of genocide is not one the petitioners take lightly,” according to the primary document in the new edition of the book “We Charge Genocide,” published by New York City-based International Publishers. Released in February, the book’s title comes from the petition “We Charge Genocide: The Crime of the U.S. Government against the Negro People.”
Each year, it is important to revisit this historic classic speech by the powerful orator, Frederick Douglass, delivered in 1852, stating, “This Fourth of July is yours, not mine. … You may rejoice, I must mourn.” Listen to James Earl Jones reading the speech. In the San Francisco Bay Area, Michael Lange and James Brooks with Angela Wellman’s Oakland Public Conservatory would perform the work with jazz artists.
Saturday, June 10, The Father’s Day Celebration, a free event for Black fathers and Black male father figures and their families, will give space for a joyous Father’s Day event for the whole community. The Father’s Day Celebration will begin with family portraits, activities for the kids (Barbers, Books and Bridges), a live DJ spinning tunes perfect for the occasion and a keynote speaker, Adimu Madyun. Dining will be available.
“Where justice is denied, where poverty is enforced, where ignorance prevails, and where any one class is made to feel that society is an organized conspiracy to oppress, rob and degrade them, neither persons nor property will be safe.” – Frederick Douglass. These words of Frederick Douglass embody the very essence and life’s passion of the late William Marx “Bill” Mandel. The best way to remember and honor Bill Mandel is to emulate him!
It is a hobby that began almost 50 years ago. Now, decades later, Albert Feldstein has the desire to preserve this history and share his button collection with others in a purposeful manner, the result being a new and unique poster entitled, “A Black History of America in 110 Buttons: The Events, The Issues, The Organizations, The People.” The goal of Feldstein’s poster is to recall the historic people and events which characterize African-American history. For some, it will rekindle memories – while for younger generations it will provide an impetus for research and a greater appreciation of past struggles.
On 1 Mosiah (August), thousands of Pan Afrikanists from around England, Europe, the Afrikan continent, the Caribbean, Australia and other former colonies like West Papua – accompanied by billions of our Afrikan forbearers! – assembled in London for major mass actions. In this, the Annual Afrikan Emancipation Day Reparations March, the themes of “Stop the Maangamizi: We charge genocide and ecocide” and “Demand reparatory justice and reparations” united all.
International peace activist Cynthia McKinney brought a very important point to me recently when she asked me to think about the fact that every time Black people reach a moral high ground over the police, something tragic happens to the police. It drives home the subliminal point that other ethnicities should be sympathetic to police who are paid to control these Black animals, who, untrained or barely trained and armed, can kill multiple elite, trained officers. Consider the cases of Larry Davis in New York and Lovelle Mixon in Oakland.
Fifty years ago, on June 16, 1966, in Greenwood, Mississippi, Student Nonviolent Coordinating Committee (SNCC) Chair Kwame Ture, then known as Stokely Carmichael, addressed a crowd of youthful demonstrators and the media covering the militant March Against Fear and forcefully re-echoed our millennial and generational demand for “Black Power.”
The great Black activist and artist Paul Robeson in 1958, in Carnegie Hall, sang the gospel song, “Balm in Gilead”: “♪There is a balm in Gilead, ♪To make the wounded whooole♪ ….” These words in song sprang back from over half a century, when the news emerged of a big pharmaceutical, Gilead Sciences, Inc., buying the drug Sofosbuvir – and then tripling its preferred price – to treat hundreds of thousands of people suffering from Hepatitis C.
It truly is a beautiful thing seeing you all from outside of the real belly of the beast, enjoying the natural rays of the sun, long walks around a sizable track, embracing the many new faces that have been waiting decades for this opportunity. I can see you all as we speak and I smile because I can feel what you feel. With that I truly look forward to the next phase in our struggle, because there’s still a lot of work to do.
New City Company presents a unique original production of “The Emperor Jones” by Eugene O’Neill starring stage and screen star Carl Lumbly (“Alias,” “The Returned,” “Cagney and Lacy” etc.) in a tour de force performance! It is a story of greed and ingenuity and restoration of natural order. It will be preceded by a short film introduction about the play’s original lead, Charles Gilpin.
Her name was Eslanda Cardozo Goode Robeson, and she was brilliant! But what is perturbing is that evidence of her enormous body of work as a photographer has vanished, as though she did not exist! But exist she very much did indeed! Eslanda Robeson lived and made an impact in the world. She was a writer, storyteller, intellectual, adventurer, scientist, anthropologist, political analyst, artist, anti-colonialist activist and a woman of principle.
Writer, reporter and Pan Africanist Obi Egbuna, the U.S. correspondent to the Zimbabwean national newspaper The Herald, recently finished, alongside co-executive producer M1 of dead prez, the third volume of the “Battle Cry for Cuba and Zimbabwe” compilation, which is a cultural protest against how the two countries have been unfairly sanctioned by the U.S. government. Check out Obi Egbuna in his own words.
In November of 2004, Oakland-born and Vallejo-raised Hip Hop legend, Mac Dre, was shot and killed in the streets of Kansas City. “Legend of the Bay” is a must see documentary on the life of Mac Dre and the local independent rap industry that he helped to create. “Mac Dre: Legend of the Bay” will be screened for free to close out the San Francisco Black Film Festival: Sunday, June 14, 6 p.m., at the Boom Boom Room, 1601 Fillmore St., San Francisco.
On Sunday, Feb. 1, 1-3 p.m., to kick off Black History Month, she will be giving a lecture called “Racism and All That Jazz” on African American classical music, aka Jazz, in the Koret Auditorium at the San Francisco Main Library, 100 Larkin St. “I’m honored to have the fabulous Yemanya Napue, percussionists Val Serrant and Sosu Ayansolo and visual artist Duane Deterville collaborate with me on this presentation,” she says.
While people were righteously rebelling in the streets of Ferguson, Missouri, against police terrorism, a Center for Disease Control whistleblower confirmed something that has been on the lips of conscious ghetto dwellers for decades. International peace activist Cynthia McKinney speaks on the U.S. government spreading autism through vaccinations in the Black community, on Ferguson and much more.