The Bay View is serializing the introduction to “Annotated Tears, Vol. 2,” by Talib Williams, who is currently incarcerated in Soledad, California, and has written the history of that storied place. In the spirit of Sankofa, we learn the past to build the future. Part 2 begins with the continuation of a letter written by George Jackson to his lawyer, Kay Stender, from his book, “Soledad Brother.”
The Bay View is serializing the introduction to “Annotated Tears, Vol. 2,” by Talib Williams, who is currently incarcerated in Soledad, California, and has written the history of that storied place. In the spirit of Sankofa, we learn the past to build the future.
Immigration can be a form of erasure. The quicker the newcomer sheds her identity, the sooner she is accepted.
The persistent turnouts of people’s power community outrage each week compelled New Jersey Gov. Phil Murphy and his attorney general to announce in early May that they had scrapped plans to build the youth prison at the planned site.
“Jazz,” adapted by Nambi E. Kelley from Toni Morrison’s novel, is a tragic composition. Performed across a series of lyrically connected (woven) tapestries: colors, sounds, fractured memories … missing people, guns (bullets) falling tears, treetops, wild woods, sharecropped promises, fire terror, unclaimed bodies … too many bodies to count … love.
Death came to the old revolutionary - put out what was left of his cigar - leaving him his military cap - so they would not place laurels - that would bother him. It is no little thing to confront the empire - & survive its rage of a mad dog - from which a bone is taken. Oh Cuba of the bitter history, - of palms, dances, songs, - of the drums of Alegba and Yamayá, - of the cane made sweet by blood and sweat - mourn and remember, sing, dance, work - for justice and never return to slavery. © Rafael Jesús González 2016
Twenty-one years after Ben Caldwell opened the doors of the Kaos Network for the community Hip Hop workshop, Project Blowed, we are celebrating the birth of one of L.A.’s biggest Hip Hop institutions. The 21st anniversary will be celebrated Sunday, Dec. 27, outside in Leimert Park, in the “La.” Check out Dara Caldwell, the daughter of Ben Caldwell, as she tells us about a golden era in Southern Cali Hip Hop.
“Beasts of No Nation” is a Netflix film that crudely exposes the face of the wars in Africa and the false poverty that has been created by U.S. and other Western imperialist governments spearheading a corporate plan to rob the richest continent on earth of its natural resources. I would not have been thrilled if I’d had to pay to watch the disturbing drama. For free, it’s still disturbing, but well written otherwise and beautifully shot as well.
Libations to Ornette Coleman, musician, composer, March 9, 1930-June 11, 2015. Libations also for Brother Tahuti, a beloved elder who made his transition mid-June. Those of us who commemorate our African Ancestors of the Middle Passage have formed an organization which took me recently to Washington, D.C. At the website guests can learn about commemorations throughout the United States and beyond.
The Oakland International Film Fest is one of the premiere events annually in the Bay Area. The 2015 showcase of films highlights a plethora of genres from all over the world. This year, some of the headlining films are: “Melvin and Jean: An American Story,” “M Cream” and "The Shop." To introduce this year’s activities we reached out to the co-founder and director of the Oakland International Film Fest, the one and only David Roach, for a Q&A.
Menhuam Ayele is a city planner, author, gardener, father, philosopher and many other things in the city that he hails from, Oakland, California. One of the most important and interesting ideas that he is working on is the concept of Africa Towns centered around the needs of the Black community. He also hosts Black Family Day in the Garden in West Oakland, where he encourages Black families to come together to plant and harvest food.
Last month’s Community Newsroom at POOR was in honor of Black History Month – even though we know at POOR Magazine that every month is Black history. One of our guest speakers, Kinara Sankofa, blew the crowd away. Being that I graduated from an Africana Studies program, his name automatically intrigued me because Sankofa is an important part of Black history.
The 11th Annual Oakland International Film Festival opened at the Grand Lake Theater on April 4 with a myriad of dope narrative flicks and docs including “Watching Phoenix Rise,” “Mugabe: Villain or Hero” and the most popular movie in the festival hands down, “The Licks,” and thousands of cinema lovers in the audience.
One of the best events that is held annually in Oakland is the Oakland International Film Festival (OIFF). Since 2002, thousands continue to attend the OIFF each year. Oakland filmmakers and filmmakers from around the world continue to benefit from contacts made during the OIFF. Who will be there this year? Time will tell. Until then, read the words of the founding director of the OIFF David Roach ...
This is the month we wear our Blackness with pride – so walk on, walk on. I want to thank Rhodessa Jones, Shaka Jamal, Pat Jamison, Elaine Lee, Walter Turner, Vera Nobles and Elouise Burrell for your leads and references for South Africa.
Sobonfu Somé, West African healer, says that when people die and become ancestors, they get smarter and often try to repair any damage they may have made while in this physical form. Ancestors want to be busy making our lives better. She said we can call on them to intercede on our behalf when we are troubled.
It’s been 25 years since the film version of Alice Walker’s “The Color Purple” opened to much controversy. Despite the controversy, the story is one that is still read, watched and celebrated in many forms. The San Jose production of the musical is fantastic! This is the final weekend.
Love has everything to do with it, and “Precious” shows us that where there is love, there is no intent to harm or cause pain. Precious’ life was the antithesis of love; how many children and adults confuse pain for love until they learn better?